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Showing posts with label Hindi Movie. Show all posts
Showing posts with label Hindi Movie. Show all posts

Fighter Full Movie (Hindi) 4k/QHD/FHD/HD Download Link

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Directed bySiddharth Anand
Story byRamon Chibb
Siddharth Anand
Screenplay byRamon Chibb
Dialogues byHussain Dalal
Abbas Dalal
Biswapati Sarkar
Produced by
  • Mamta Anand


'Fighter' Review: Hrithik Roshan, Deepika Padukone soar in this aerial actioner

Fighter Movie Review: Helmed by Siddharth Anand, 'Fighter' is an entertaining action-drama that has been made for the big screen. The film stars Deepika Padukone and Hrithik Roshan in lead roles.

In 1986, a film about a pilot who is given a second chance to redeem himself took the world by storm. Tom Cruise’s Top Gun set the benchmark for what an aerial action film involving planes should look like. Many tried to duplicate the formula but nothing came close to the original, until 2022, when Cruise made a comeback in a refurbished version of the franchise.

Siddharth Anand’s Fighter takes several cues from Top Gun to lay the foundation for what becomes a pacy story about valour, patriotism and celebrating the birds in the sky that protect our country. It doesn’t hurt that the cast is led by two good-looking actors -- Hrithik Roshan and Deepika Padukone. But do the actors deliver or does their vanity come in the way of making Fighter a bonafide action caper? Let's find out.

If Rajkumar Hirani is the badshah of feel-good films and no one can match family dramas like Karan Johar, Siddharth Anand has carved a niche for himself with his larger-than-life, good-looking masala entertainers. With Fighter, that writing has taken a patriotic flavour. Every time a film shifts to Kashmir and the Indo-Pakistan conflict, there is a certain template that is set. Siddharth Anand follows the cue but adds dollops of glamour, high-octane action scenes and loads of patriotism with ‘Vande Mataram' and 'Jai Hind’ playing in the background.



Anand has a way of introducing his men in his movies. Be it the stylish entry scene of SRK in Pathaan or even back in the day, how Hrithik Roshan blazed on screen in Bang Bang and even War. But in Fighter, he tries something different. He gives Deepika Padukone’s Minni a stellar entry scene before he brings in the big gun -- Hrithik Roshan’s Patty. Given the scale of the film, the director doesn’t rush into the big action scenes. He spends most of the first half introducing us to the Air Force pilots. Led by Rakesh Jaisingh aka Rocky (Anil Kapoor), the unit of Air Dragons comprises of Minni (Deepika Padukone), Patty (Hrithik Roshan), Taj (Karan Singh Grover) and Bash (Akshay Oberoi).

The plot revolves around the Pulwama attack and incidents leading before and after the incident. In terms of storyline, Fighter flies high on the newfound love of filmmakers to weave in patriotic sentiment in a bonafide potboiler. The action scenes are the real hero of Fighter. Anand steers away from any Top Gun comparisons by creating an original palette for the big-ticket shots.


The first half has the right mix of emotion and action, but the second half nose dives before picking up just in time for the juicy climax. Deepika and Hrithik’s pairing is a winning master stroke. They not only look good as a pair, but also do justice to the characters when they are in uniform. There is a certain seriousness they bring to the table when they mean business. Anil Kapoor shows us why he’s the real boss. His scenes with Hrithik and the team are a major highlight.


Unlike the free spirit of Pathaan, Fighter feels a bit caught in its own web of trying to walk the thin line of being commercially viable without compromising on the integrity of its sentimental appeal. The scenes where we are given lessons on loving the nation or the wordplay that Patty indulges in get weary after a point. You want to see the birds in the sky but you need to be patient for those scenes.

What helps Fighter maintain its pace is the lead hero Hrithik Roshan, who reminds us what makes him a true-blue Bollywood superstar. His committment to making Patty’s journey feel personal is something the young blood should take a cue from. Deepika Padukone delivers in both the action and emotional scenes. Watching her and Hrithik flirt in the first half is pure thrill and so is their delicious dance in the air. Karan Singh Grover and Sanjeeda Shaikh provide the right support to these able front-footers. The weakest link however is the villain Azhar Akhtar, played by Rishabh Sawhney. His nearly ironed hair and lip-glossed pucker seem too pretty to be menacing.

Fighter is a big-screen spectacle. When those birds soar high in the air, there is nothing that can take your eyes off the screen. Hrithik and Deepika set the screen on fire and I won’t be surprised if they become the go-to pair for big-ticket movies in the future. Siddharth Anand’s Fighter soars high on the entertainment quotient.

Dunki Full Movie (Hindi) 4k/QHD/FHD/HD Download Link

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Directed byRajkumar Hirani
Written by
  • Rajkumar Hirani
  • Abhijat Joshi
  • Kanika Dhillon
Produced by
  • Jyoti Deshpande
  • Gauri Khan
  • Gaurav Verma
  • Rajkumar Hirani
Starring
  • Shah Rukh Khan
  • Taapsee Pannu
  • Boman Irani
  • Anil Grover
  • Vikram Kochhar
  • Vicky Kaushal

‘Dunki’ movie review: Shah Rukh Khan and Rajkumar Hirani deliver a drama that delights and drags in equal measure

In ‘Dunki,’ Rajkumar Hirani’s first and long-awaited collaboration with Shah Rukh Khan, the purpose and social concern is laudable but the storytelling feels facile and laboured after a point



Early in Dunki, a simplistic but heartwarming take on the poor illegal immigrants from Punjab who make dangerous journeys in a desperate search for greener pastures, a set of hopefuls find a way to crack the English test. They memorise a paragraph by rote and decide to parrot it to the examiners by just changing the name of the topic.

Inadvertently, the long scene with diminishing returns becomes a metaphor for the sameness that surrounds Rajkumar Hirani’s storytelling. Over the years, he has engaged the audience with almost the same story structure, but has always managed to imbue it with a beating heart and a smiling face.

In Dunki, Hirani’s first and long-awaited collaboration with Shah Rukh Khan, the purpose and social concern is again laudable, but the storytelling feels facile and laboured after a point, largely because Hirani doesn’t want to test newer ways to put his point across. The spontaneity that we associate with his work is sadly missing.


Set in a small town in Punjab, Dunki goes into flashback to tell the tale of four characters with modest means who want to immigrate to London to get over their difficulties in life. When they are about to give up, Hardy (Shah Rukh), an ex-armyman, comes into their lives to make their dream a reality by taking a circuitous, illegal route. Along the way, he develops a soft corner for Manu (Taapsee Pannu) only to realise that her wish to cross over to a foreign land is stronger than her love for the man who gave her the belief.

The theme of illegal immigration may be relatively new for the Hindi film industry, but it has been tackled in Punjabi films and the news pages are full of first-hand accounts of the perilous journeys that the so-called ‘donkeys’ make. So when the film presents the challenges as a novelty, it doesn’t come as a surprise. They feel tepid in picturisation and we keep looking for a little more nuance and a little more poignancy. The feeling becomes stronger when the end credits show some facts and figures superimposed on some heart-rending images of illegal immigrants.

Hirani always puts emotional logic ahead of conventional logic and uses situational humour to great effect. Here, he does it again, but the results are not as consistently riveting and charismatic as they have been in the past. The emotional swell does overwhelm you two or three times, but the seamless unpredictability of the narrative that has been the hallmark of Hirani and Abhijat Joshi’s writing is missing here. More importantly, in the light-hearted first half, the jokes around English and Englishmen start feeling repetitive. And, some, like one around the national anthem, don’t land properly. Perhaps, Hirani has chosen England over the the US and Canada because he could use the colonial connection, but in the present scenario the illegal immigration to the US and Canada is more newsworthy and relatable.

Having said that, Hirani’s focus on how the policies on immigration are stacked against the poor strikes a chord, and his knack for incorporating social commentary into the screenplay is very much noticeable. The comment on the trousers-wearing mother of one of the candidates opens a window into the deep-seated patriarchy in mofussil India where the son feels embarrassed by the fact that his mother works as a security guard.

Once the dust settles down, one could pretty much guess where the film is headed. The narrative sags in the middle overs. Things look up in the second half when the film finally moves from the comic set pieces, most of which are part of the trailer, to convey the larger message behind illegal migration. But after a couple of powerful scenes, it feels like the writers are straining to take the film to a fitting conclusion. The musical tapestry, particularly the combination of Javed Akhtar and Sonu Nigam in ‘Nikle The Kabhi Hum Ghar Se’ and Varun Grover and Javed Ali’s chemistry in ‘Chal Ve Vatna’, gives goosebumps.


Shah Rukh surrenders himself to Hirani’s universe and the way he evocatively puts nation over asylum in a courtroom sequence, makes a strong socio-political statement and is one of the highlights of the film. The problem is that the love story between Hardy and Manu doesn’t create much magic. Taapsee fails to cast the spell that the story requires for the boy to wait for her for 25 years. The supporting cast is solid, particularly Vicky Kaushal, who reprises a staple character in Hirani’s universe, earlier essayed by Jimmy Shergil and Ali Fazal in Munna Bhai M.B.B.S. and 3 Idiots respectively. Vikram Kocchar and Anil Grover are efficient but Boman Irani isn’t tested much.

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